564 bars of 4/4 at 140 BPM, about 16:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 424-426, 428-430 and 432-434, and 13 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41 fills to learn, played 106 times: bars 19, 20, 28, 30, 36, 37 and 100 more.
37 more fills are written out on the fills page.
564 bars across 29 sections: 283 keep time, 106 are fills, 22 are stops and 116 are silent. The longest unbroken stretch of time is bars 537-554.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
564 bars, about 16:03 at the written tempo. The course breaks it into 146 exercises over 51 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
41 fills to learn, played 106 times: bars 19, 20, 28, 30, 36, 37 and 100 more.