83 bars, 4:41, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 19, 29 and 44, and 6 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 23 times: bars 15, 16, 17, 21, 23, 24 and 17 more.
9 more fills are written out on the fills page.
83 bars across 11 sections: 45 keep time, 23 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 68-76.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
83 bars, about 4:41 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 15, 16, 17, 21, 23, 24 and 17 more.