125 bars of 4/4 at 136 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-63 -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 4, 48, 82, 86, 98, 100 and 4 more.
3 more fills are written out on the fills page.
125 bars across 17 sections: 83 keep time, 10 are fills, 10 are stops and 9 are silent. The longest unbroken stretch of time is bars 26-39.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
125 bars, about 3:41 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 4, 48, 82, 86, 98, 100 and 4 more.