129 bars at 202 BPM -- fast, and 2:26 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 106-122, 124-126 and 128, and 2 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 26, 71, 92, 93, 94, 95 and 2 more.
137 bars across 9 sections: 54 keep time, 8 are fills, 40 are stops and 29 are silent. The longest unbroken stretch of time is bars 1-8.
202 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
129 bars, about 2:26 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 26, 71, 92, 93, 94, 95 and 2 more.