105 bars of 4/4 at 128 BPM, about 3:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 7 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 9, 13, 17, 29, 30, 50 and 9 more.
5 more fills are written out on the fills page.
105 bars across 12 sections: 73 keep time, 15 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 32-41.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
105 bars, about 3:16 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 9, 13, 17, 29, 30, 50 and 9 more.