108 bars of 4/4 at 126 BPM, about 3:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-31, 33 and 35, and 3 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 32, 34, 40, 42, 44, 59 and 7 more.
2 more fills are written out on the fills page.
108 bars across 14 sections: 65 keep time, 14 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 17-24.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
108 bars, about 3:19 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 32, 34, 40, 42, 44, 59 and 7 more.