327 bars of 4/4 at 120 BPM, about 10:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 196-202 and 204-226 -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 37 times: bars 2, 4, 11, 15, 17, 25 and 31 more.
22 more fills are written out on the fills page.
351 bars across 27 sections: 234 keep time, 38 are fills, 35 are stops and 16 are silent. The longest unbroken stretch of time is bars 204-226.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
327 bars, about 10:05 at the written tempo. The course breaks it into 110 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 37 times: bars 2, 4, 11, 15, 17, 25 and 31 more.