211 bars of 4/4 at 132 BPM, about 6:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 93-94, 97-98 and 101-102, and 6 more places -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 68 times: bars 1, 4, 5, 6, 7, 10 and 62 more.
25 more fills are written out on the fills page.
211 bars across 24 sections: 85 keep time, 68 are fills, 26 are stops and 13 are silent. The longest unbroken stretch of time is bars 62-68.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
211 bars, about 6:25 at the written tempo. The course breaks it into 92 exercises over 24 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 68 times: bars 1, 4, 5, 6, 7, 10 and 62 more.