283 bars of 4/4 at 140 BPM, about 8:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32-34, 36-38 and 40-42, and 23 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 33 times: bars 20, 21, 30, 31, 39, 55 and 27 more.
16 more fills are written out on the fills page.
283 bars across 24 sections: 142 keep time, 34 are fills, 18 are stops and 76 are silent. The longest unbroken stretch of time is bars 224-244.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
283 bars, about 8:05 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 33 times: bars 20, 21, 30, 31, 39, 55 and 27 more.