220 bars of 4/4 at a walking 96 BPM, 9:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-36, 39-40 and 43-44, and 20 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 62 times: bars 23, 24, 27, 28, 29, 30 and 56 more.
20 more fills are written out on the fills page.
220 bars across 17 sections: 116 keep time, 62 are fills, 12 are stops and 11 are silent. The longest unbroken stretch of time is bars 8-22.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
220 bars, about 9:10 at the written tempo. The course breaks it into 74 exercises over 21 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 62 times: bars 23, 24, 27, 28, 29, 30 and 56 more.