118 bars of 4/4 at a walking 107 BPM, 4:25 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-23, 31-32 and 34-35, and 10 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 44 times: bars 1, 3, 5, 6, 7, 25 and 38 more.
10 more fills are written out on the fills page.
118 bars across 9 sections: 54 keep time, 44 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 30-41.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
118 bars, about 4:25 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 44 times: bars 1, 3, 5, 6, 7, 25 and 38 more.