105 bars of 4/4 at 134 BPM, about 3:08 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21-22, and 9 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 11 times: bars 16, 24, 40, 48, 52, 56 and 5 more.
4 more fills are written out on the fills page.
105 bars across 12 sections: 66 keep time, 11 are fills, 7 are stops and 13 are silent. The longest unbroken stretch of time is bars 25-32.
134 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
105 bars, about 3:08 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 16, 24, 40, 48, 52, 56 and 5 more.