125 bars at 168 BPM -- fast, and 2:50 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 48-49 and 88-89 -- 4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 18, 20, 35, 51, 72, 73 and 7 more.
5 more fills are written out on the fills page.
125 bars across 15 sections: 43 keep time, 13 are fills, 35 are stops and 26 are silent. The longest unbroken stretch of time is bars 110-119.
168 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
125 bars, about 2:50 at the written tempo. The course breaks it into 38 exercises over 13 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 18, 20, 35, 51, 72, 73 and 7 more.