338 bars of 3/4 -- not four -- at 240 BPM, 4:43 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 118-120, 188 and 190, and 6 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 74 times: bars 11, 17, 33, 42, 59, 60 and 68 more.
17 more fills are written out on the fills page.
338 bars across 17 sections: 205 keep time, 81 are fills, 28 are stops and 6 are silent. The longest unbroken stretch of time is bars 18-32.
240 BPM, in 3/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
338 bars, about 4:43 at the written tempo. The course breaks it into 84 exercises over 34 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 74 times: bars 11, 17, 33, 42, 59, 60 and 68 more.