157 bars of 4/4 at 145 BPM, about 4:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-37, 39-45 and 71-77, and 5 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 27 times: bars 1, 2, 14, 29, 30, 38 and 21 more.
6 more fills are written out on the fills page.
157 bars across 7 sections: 115 keep time, 27 are fills and 6 are stops. The longest unbroken stretch of time is bars 87-99.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 49 out of 100; the rest of the number is everything around it.
157 bars, about 4:20 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 27 times: bars 1, 2, 14, 29, 30, 38 and 21 more.