344 bars of 5/4 -- not four -- at 144 BPM, 11:40 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 221-236 and 241-248 -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 60 times: bars 12, 16, 20, 24, 25, 26 and 54 more.
23 more fills are written out on the fills page.
344 bars across 26 sections: 151 keep time, 60 are fills, 6 are stops and 107 are silent. The longest unbroken stretch of time is bars 222-236.
144 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
344 bars, about 11:40 at the written tempo. The course breaks it into 101 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 60 times: bars 12, 16, 20, 24, 25, 26 and 54 more.