121 bars of 4/4 at 144 BPM, about 3:22 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-19, 22-23 and 50-51, and 3 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 8, 15, 16, 20, 24, 28 and 15 more.
7 more fills are written out on the fills page.
121 bars across 9 sections: 73 keep time, 22 are fills and 18 are stops. The longest unbroken stretch of time is bars 34-47.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
121 bars, about 3:22 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 8, 15, 16, 20, 24, 28 and 15 more.