195 bars of 4/4 at 150 BPM, about 5:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-38, 41-42 and 50, and 18 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 40 times: bars 51, 53, 54, 56, 57, 58 and 34 more.
12 more fills are written out on the fills page.
195 bars across 17 sections: 125 keep time, 40 are fills and 11 are silent. The longest unbroken stretch of time is bars 18-47.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
195 bars, about 5:18 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 40 times: bars 51, 53, 54, 56, 57, 58 and 34 more.