152 bars of 4/4 at 132 BPM, about 4:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 23, and 5 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 53, 61, 66, 67, 68, 69 and 13 more.
6 more fills are written out on the fills page.
152 bars across 18 sections: 82 keep time, 19 are fills, 6 are stops and 32 are silent. The longest unbroken stretch of time is bars 38-52.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
152 bars, about 4:36 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 53, 61, 66, 67, 68, 69 and 13 more.