108 bars of 4/4 at 116 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 14-15 and 18-19, and 5 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 13 times: bars 16, 28, 32, 36, 40, 52 and 7 more.
8 more fills are written out on the fills page.
108 bars across 15 sections: 52 keep time, 13 are fills, 13 are stops and 19 are silent. The longest unbroken stretch of time is bars 22-27.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
108 bars, about 3:43 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 13 times: bars 16, 28, 32, 36, 40, 52 and 7 more.