208 bars at 200 BPM -- fast, and 4:08 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 45-47, 49-50 and 57-58, and 10 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 22 times: bars 10, 13, 14, 36, 68, 84 and 16 more.
9 more fills are written out on the fills page.
208 bars across 22 sections: 135 keep time, 22 are fills, 20 are stops and 8 are silent. The longest unbroken stretch of time is bars 46-63.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
208 bars, about 4:08 at the written tempo. The course breaks it into 79 exercises over 22 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 10, 13, 14, 36, 68, 84 and 16 more.