434 bars at 170 BPM -- fast, and 9:50 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 102-104, 106-108 and 110-112, and 8 more places -- 5.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
58 fills to learn, played 133 times: bars 2, 3, 4, 6, 7, 10 and 127 more.
54 more fills are written out on the fills page.
450 bars across 45 sections: 213 keep time, 133 are fills, 38 are stops and 25 are silent. The longest unbroken stretch of time is bars 357-367.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
434 bars, about 9:50 at the written tempo. The course breaks it into 194 exercises over 56 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
58 fills to learn, played 133 times: bars 2, 3, 4, 6, 7, 10 and 127 more.