144 bars of 4/4 at 122 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 49-51, and 9 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 1, 9, 10, 12, 15, 18 and 11 more.
6 more fills are written out on the fills page.
144 bars across 20 sections: 95 keep time, 17 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 82-97.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
144 bars, about 4:42 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 1, 9, 10, 12, 15, 18 and 11 more.