The beat the song is built on is one bar, played through bars 33-35, 37-39 and 49-51, and 9 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 52 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 64 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 79 BPM, and adds the notes back a rung at a time -- 4 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 79, 94, 108 and 122 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat, snare and kick, in 4/4 at 122 BPM, counted in sixteenth notes. It is written out above, and it covers 25.7% of the bars the kit plays.
Bars 33-35, 37-39, 49-51 and 53-55, and 8 more places. The time is kept on the toms to start with, and it changes 27 times over the song.
52 out of 100 on its own -- a step up. The song as a whole is 64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.