145 bars of 4/4 at 110 BPM, about 5:14 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 118-120, 122-124 and 126-128, and 5 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 20, 24, 28, 32, 36, 41 and 5 more.
5 more fills are written out on the fills page.
145 bars across 15 sections: 107 keep time, 11 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 118-145.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
145 bars, about 5:14 at the written tempo. The course breaks it into 51 exercises over 19 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 20, 24, 28, 32, 36, 41 and 5 more.