174 bars of 6/4 -- not four -- at 180 BPM, 5:26 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 86-116 -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 6, 14, 34, 38, 66, 67 and 18 more.
6 more fills are written out on the fills page.
264 bars across 15 sections: 144 keep time, 25 are fills, 4 are stops and 76 are silent. The longest unbroken stretch of time is bars 87-116.
180 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
174 bars, about 5:26 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 6, 14, 34, 38, 66, 67 and 18 more.