80 bars of 4/4 at a walking 100 BPM, 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 43-48, 50-51 and 53-54 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 31, 36, 60, 64, 68, 72 and 2 more.
80 bars across 5 sections: 29 keep time, 8 are fills, 24 are stops and 15 are silent. The longest unbroken stretch of time is bars 16-30.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
80 bars, about 3:12 at the written tempo. The course breaks it into 14 exercises over 3 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 31, 36, 60, 64, 68, 72 and 2 more.