71 bars of 4/4 at a walking 80 BPM, 3:33 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 47, 49-52 and 55, and 5 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 14, 21, 22, 29, 30, 42 and 13 more.
2 more fills are written out on the fills page.
71 bars across 5 sections: 42 keep time, 19 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-13.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
71 bars, about 3:33 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 14, 21, 22, 29, 30, 42 and 13 more.