75 bars of 4/4 at a walking 89 BPM, 3:21 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 44-59 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 4, 18, 26, 34, 42, 43 and 1 more.
2 more fills are written out on the fills page.
75 bars across 8 sections: 45 keep time, 7 are fills, 16 are stops and 3 are silent. The longest unbroken stretch of time is bars 35-41.
89 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
75 bars, about 3:21 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 4, 18, 26, 34, 42, 43 and 1 more.