72 bars of 4/4 at a walking 80 BPM, 3:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28, 31 and 33, and 9 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 14 times: bars 27, 30, 34, 40, 49, 52 and 8 more.
6 more fills are written out on the fills page.
72 bars across 7 sections: 44 keep time, 14 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 7-21.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
72 bars, about 3:36 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 27, 30, 34, 40, 49, 52 and 8 more.