82 bars of 4/4 at a walking 98 BPM, 3:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 15 and 17, and 14 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 25, 26, 41, 42, 60, 81 and 1 more.
82 bars across 8 sections: 64 keep time, 8 are fills and 3 are silent. The longest unbroken stretch of time is bars 27-40.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
82 bars, about 3:21 at the written tempo. The course breaks it into 28 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 25, 26, 41, 42, 60, 81 and 1 more.