155 bars of 4/4 at 115 BPM, about 5:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-34, 39-41 and 43-45, and 6 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 30 times: bars 6, 10, 14, 18, 22, 30 and 24 more.
8 more fills are written out on the fills page.
155 bars across 19 sections: 89 keep time, 30 are fills, 3 are stops and 15 are silent. The longest unbroken stretch of time is bars 23-29.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
155 bars, about 5:21 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 6, 10, 14, 18, 22, 30 and 24 more.