143 bars, 8:48, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14, and 16 more places -- 45.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5 fills to learn, played 8 times: bars 15, 27, 31, 39, 66, 78 and 2 more.
1 more fill is written out on the fills page.
143 bars across 16 sections: 97 keep time, 10 are fills, 15 are stops and 6 are silent. The longest unbroken stretch of time is bars 125-136.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
143 bars, about 8:48 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 15, 27, 31, 39, 66, 78 and 2 more.