200 bars at 180 BPM -- fast, and 4:27 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 39 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 28 times: bars 7, 8, 24, 28, 32, 36 and 22 more.
5 more fills are written out on the fills page.
200 bars across 13 sections: 113 keep time, 28 are fills and 42 are stops. The longest unbroken stretch of time is bars 170-180.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
200 bars, about 4:27 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 28 times: bars 7, 8, 24, 28, 32, 36 and 22 more.