71 bars of 4/4 at a walking 82 BPM, 3:28 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-25, 35-37 and 39-41, and 1 more place -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 24 times: bars 14, 22, 26, 34, 38, 42 and 18 more.
2 more fills are written out on the fills page.
71 bars across 9 sections: 29 keep time, 24 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 1-10.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
71 bars, about 3:28 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 24 times: bars 14, 22, 26, 34, 38, 42 and 18 more.