78 bars of 4/4 at a walking 107 BPM, 2:55 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 21-24, 26-28 and 38-40, and 4 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 11 times: bars 5, 19, 20, 25, 29, 37 and 5 more.
5 more fills are written out on the fills page.
78 bars across 9 sections: 51 keep time, 11 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 70-78.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
78 bars, about 2:55 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 5, 19, 20, 25, 29, 37 and 5 more.