182 bars of 4/4 at 142 BPM, about 5:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-36, 38-40 and 43-44, and 14 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 37, 41, 45, 48, 49, 74 and 15 more.
5 more fills are written out on the fills page.
182 bars across 27 sections: 92 keep time, 21 are fills, 20 are stops and 42 are silent. The longest unbroken stretch of time is bars 135-148.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
182 bars, about 5:08 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 37, 41, 45, 48, 49, 74 and 15 more.