139 bars of 4/4 at 150 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 14-15 and 34-35, and 8 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 33, 57, 85, 86 and 93.
139 bars across 17 sections: 108 keep time, 5 are fills, 7 are stops and 2 are silent. The longest unbroken stretch of time is bars 107-126.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
139 bars, about 3:43 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 33, 57, 85, 86 and 93.