182 bars of 4/4 at 115 BPM, about 6:19 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-48, 50-52 and 85-92, and 4 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 23, 25, 27, 29, 31, 33 and 12 more.
8 more fills are written out on the fills page.
182 bars across 14 sections: 91 keep time, 18 are fills, 47 are stops and 9 are silent. The longest unbroken stretch of time is bars 86-100.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
182 bars, about 6:19 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 23, 25, 27, 29, 31, 33 and 12 more.