100 bars of 5/4 -- not four -- at 230 BPM, 2:57 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-8, 17-20 and 34-35, and 2 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 32, 42, 47, 48 and 49.
1 more fill is written out on the fills page.
100 bars across 9 sections: 41 keep time, 6 are fills, 3 are stops and 43 are silent. The longest unbroken stretch of time is bars 1-8.
230 BPM, in 5/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
100 bars, about 2:57 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 32, 42, 47, 48 and 49.