267 bars of 4/4 at a walking 108 BPM, 9:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 69-74, 77-81 and 111-116, and 13 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 38 times: bars 34, 49, 68, 84, 92, 110 and 32 more.
15 more fills are written out on the fills page.
267 bars across 20 sections: 164 keep time, 38 are fills, 27 are stops and 15 are silent. The longest unbroken stretch of time is bars 15-33.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
267 bars, about 9:52 at the written tempo. The course breaks it into 65 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 38 times: bars 34, 49, 68, 84, 92, 110 and 32 more.