214 bars of 4/4 at 152 BPM, about 5:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 69-71, 73-75 and 85-87, and 8 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 48 times: bars 8, 12, 16, 20, 61, 62 and 42 more.
13 more fills are written out on the fills page.
214 bars across 17 sections: 102 keep time, 48 are fills, 5 are stops and 40 are silent. The longest unbroken stretch of time is bars 22-36.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
214 bars, about 5:38 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 48 times: bars 8, 12, 16, 20, 61, 62 and 42 more.