164 bars of 3/4 -- not four -- at 110 BPM, 4:28 of playing on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 53-55, 57 and 59, and 24 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 22 times: bars 20, 24, 28, 38, 58, 68 and 16 more.
3 more fills are written out on the fills page.
164 bars across 13 sections: 106 keep time, 22 are fills, 3 are stops and 16 are silent. The longest unbroken stretch of time is bars 140-150.
110 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
164 bars, about 4:28 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 20, 24, 28, 38, 58, 68 and 16 more.