115 bars of 4/4 at 128 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-12, 25-31 and 57-63, and 1 more place -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 16, 20, 24, 44, 48, 56 and 13 more.
2 more fills are written out on the fills page.
115 bars across 13 sections: 78 keep time, 19 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 33-40.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
115 bars, about 3:36 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 16, 20, 24, 44, 48, 56 and 13 more.