70 bars of 4/4 at 125 BPM, about 2:14 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 3-17 and 31-38 -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 18, 26, 30, 42, 50, 54 and 2 more.
1 more fill is written out on the fills page.
70 bars across 9 sections: 46 keep time, 8 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-17.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
70 bars, about 2:14 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 8 times: bars 18, 26, 30, 42, 50, 54 and 2 more.