122 bars of 4/4 at a walking 109 BPM, 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 71-72 and 75-76, and 2 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 5, 9, 13, 17, 21, 74 and 2 more.
2 more fills are written out on the fills page.
123 bars across 15 sections: 39 keep time, 8 are fills, 10 are stops and 55 are silent. The longest unbroken stretch of time is bars 57-62.
109 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 57 out of 100; the rest of the number is everything around it.
122 bars, about 4:26 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 5, 9, 13, 17, 21, 74 and 2 more.