172 bars at 180 BPM -- fast, and 3:49 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8, 10 and 12, and 35 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 21 times: bars 1, 85, 86, 87, 88, 89 and 15 more.
3 more fills are written out on the fills page.
172 bars across 15 sections: 130 keep time, 21 are fills and 1 is a stop. The longest unbroken stretch of time is bars 28-54.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
172 bars, about 3:49 at the written tempo. The course breaks it into 59 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 1, 85, 86, 87, 88, 89 and 15 more.