123 bars of 4/4 at 140 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-10, 13 and 104-107 -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 30 times: bars 11, 12, 13, 14, 15, 16 and 24 more.
9 more fills are written out on the fills page.
123 bars across 15 sections: 66 keep time, 30 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 76-82.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 46 out of 100; the rest of the number is everything around it.
123 bars, about 3:30 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 30 times: bars 11, 12, 13, 14, 15, 16 and 24 more.