122 bars of 4/4 at 140 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 34-40 and 46-48 -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 24 times: bars 8, 24, 33, 41, 49, 58 and 18 more.
8 more fills are written out on the fills page.
122 bars across 15 sections: 70 keep time, 24 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-7.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 57 out of 100; the rest of the number is everything around it.
122 bars, about 3:27 at the written tempo. The course breaks it into 61 exercises over 23 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 8, 24, 33, 41, 49, 58 and 18 more.