231 bars of 4/4 at 130 BPM, about 7:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 88-90 and 92-94 -- 5.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 35 times: bars 24, 37, 71, 75, 77, 79 and 29 more.
16 more fills are written out on the fills page.
231 bars across 26 sections: 126 keep time, 36 are fills, 35 are stops and 7 are silent. The longest unbroken stretch of time is bars 25-36.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
231 bars, about 7:03 at the written tempo. The course breaks it into 90 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 35 times: bars 24, 37, 71, 75, 77, 79 and 29 more.